JoJo Minneapolis 2025: First Avenue Concert Recap

JoJo brought her Too Much To Say Tour to Minneapolis on March 14, 2025, performing at the legendary First Avenue Mainroom with singer-songwriter Emmy Meli as the opening act.

The concert arrived during an important new chapter for Joanna “JoJo” Levesque. After more than two decades in the music industry, she had recently published her memoir, Over the Influence, released the NGL EP, and regained greater creative control over her career.

Therefore, the Minneapolis show was not simply a nostalgia concert built around “Leave (Get Out)” and “Too Little Too Late.”

Instead, JoJo combined those familiar hits with newer R&B material, deep cuts, covers, and songs that reflected who she had become as an adult artist.

When Did JoJo Perform in Minneapolis in 2025?

JoJo performed in Minneapolis on Friday, March 14, 2025.

The concert took place at First Avenue, one of the city’s most famous live music venues.

Doors opened at 7 p.m., while the scheduled show began at 8 p.m. Additionally, First Avenue listed the event for audiences ages 18 and older.

Emmy Meli opened the night.

According to fan-recorded set times, JoJo took the stage around 9 p.m. and performed for approximately 80 minutes.

Therefore, fans received a full headline performance rather than a short promotional appearance.

What Tour Was JoJo’s Minneapolis Concert Part Of?

The Minneapolis show formed part of JoJo’s Too Much To Say Tour.

The North American run started on February 22, 2025, at Marathon Music Works in Nashville.

From there, JoJo traveled through cities including Houston, Dallas, San Diego, Los Angeles, San Francisco, Seattle, Portland, Denver, Minneapolis, Chicago, Detroit, Toronto, and several East Coast markets.

Moreover, the tour later expanded with additional dates.

The Minneapolis stop fell directly between the March 12 Denver show at the Ogden Theatre and the March 15 Chicago performance at Ramova Theatre.

Consequently, First Avenue became an important Midwestern stop during the tour’s busiest stretch.

What Album Was JoJo Promoting?

The tour supported JoJo’s NGL EP.

Released on January 24, 2025, NGL features eight tracks and blends contemporary R&B, pop, and soul with the vocal-driven style that has defined JoJo throughout her career.

The Project Includes:

• “off again”
• “Nobody”
• “Too Much To Say”
• “Porcelain”
• “Ready To Love”
• “Start Over”
• “One Last Time”
• “Porcelain Reimagined”

Moreover, NGL arrived at a time when JoJo had gained greater control over her creative direction through her Clover Music imprint.

Therefore, the project represented more than another collection of songs.

It reflected an artist increasingly willing to make music without chasing the expectations that followed her teenage success.

What Was the JoJo Minneapolis 2025 Setlist?

Fan-reported setlist information shows that the Minneapolis concert included around 20 songs.

JoJo opened with “off again,” immediately placing the new NGL material at the center of the show.

She then moved through songs including:

• “Nobody,”
• “Baby It’s You,”
• “Like That,”
• “Bad Habits,”
• “Gold,” and
• “Think About You.”

Meanwhile, the middle of the show included several covers.

JoJo performed interpretations of Drake’s “Marvins Room,” SZA’s “Love Galore,” SWV’s “Weak,” and Teddy Swims’ “Lose Control.”

Later, the set returned heavily to NGL with “One Last Time” and the tour’s title track, “Too Much To Say.”

However, longtime fans also received the songs that first introduced JoJo to mainstream audiences.

“Leave (Get Out)” and “Too Little Too Late” appeared near the later part of the show.

Finally, the Minneapolis set closed with newer material including “Good Thing” and “Porcelain.”

Did JoJo Perform Leave (Get Out)?

Yes.

“Leave (Get Out)” remained part of the Minneapolis performance.

The song originally appeared on JoJo’s self-titled 2004 debut album and became her breakthrough single when she was only 13.

Moreover, the track helped make her one of the youngest solo artists to achieve major chart success.

For longtime fans attending the 2025 tour, hearing “Leave” was an obvious moment. of nostalgia

However, JoJo’s current shows do not depend entirely on early-2000s nostalgia.

Instead, she places those songs alongside newer material so audiences can hear the evolution in both her songwriting and vocal approach.

Did She Sing Too Little Too Late?

Yes. “Too Little Too Late” also appeared in the Minneapolis set.

Released during The High Road era, the song became another defining JoJo hit and remains one of the tracks most closely associated with her career.

Therefore, placing it alongside songs from NGL connected two very different versions of the artist.

The teenager who recorded huge pop singles in the mid-2000s had become an independent adult performer with more control over her musical identity.

That contrast became one of the tour’s strongest themes.

Who Opened for JoJo in Minneapolis?

Emmy Meli served as the special guest at the Minneapolis concert and at many stops on the North American tour.

The Long Beach singer-songwriter gained wider attention with “I Am Woman,” which became a viral hit online.

However, her music extends beyond that breakthrough.

Meli combines pop, R&B, soul, and contemporary singer-songwriter influences, making her a natural fit for JoJo’s audience.

Moreover, her opening slot gave the evening a cohesive musical direction rather than pairing JoJo with an unrelated act.

At the Minneapolis show, Emmy Meli reportedly began around 8 p.m., before JoJo’s headline set followed approximately an hour later.

Why Was First Avenue a Notable Venue?

First Avenue carries enormous significance within Minneapolis music history.

The club has operated as a music venue since 1970 and has hosted generations of major artists.

Most famously, Prince developed a particularly strong connection with the venue, and scenes from Purple Rain were filmed there.

Therefore, performing at First Avenue places an artist within one of America’s best-known independent concert spaces.

The Mainroom also offers a different experience from that of an arena.

Fans stand much closer to the performer, while the smaller environment emphasizes vocals and direct audience interaction.

For a singer as vocally focused as JoJo, that intimacy suited the Too Much To Say Tour especially well.

How Did NGL Connect With JoJo’s Memoir?

NGL followed another major JoJo project: her memoir, Over the Influence.

Published in September 2024, the book explored her childhood fame, complicated family experiences, record-label battles, relationships, substance use, insecurity, and eventual effort to reclaim control of her life.

Moreover, several themes carried naturally into NGL.

Songs such as “Too Much To Say” and “Porcelain” examine vulnerability, uncertainty, resilience, and self-awareness.

Therefore, the tour felt connected to the same period of personal reflection.

Rather than hiding difficult parts of her career, JoJo increasingly placed them at the center of her storytelling.

Why Was the 2025 Tour Important for JoJo?

JoJo’s career has never followed a typical pop-star path.

She became famous extraordinarily young. However, lengthy disputes with her former record company later prevented her from releasing music normally during crucial years of her career.

Eventually, she fought her way out of those restrictions and rebuilt.

Moreover, she re-recorded her early albums, released independent projects, launched Clover Music, performed on Broadway in Moulin Rouge!, and won a Grammy alongside PJ Morton for “Say So.”

Consequently, the 2025 tour represented persistence more than a conventional comeback.

JoJo did not simply return to songs that made her famous.

She presented old and new music as parts of a single, complex career.

JoJo Minneapolis 2025: The Final Take

JoJo’s Minneapolis 2025 concert took place at First Avenue on March 14 as part of the Too Much To Say Tour.

Emmy Meli opened the evening, while JoJo delivered a set built around her new NGL EP, fan favorites, R&B covers, and career-defining hits.

Moreover, songs such as “Leave (Get Out)” and “Too Little Too Late” gave longtime listeners the nostalgia they wanted without turning the concert into a greatest-hits-only show.

Newer tracks such as:

• “off again,”
• “Nobody,”
• “Too Much To Say,”
• “One Last Time,” and
• “Porcelain” instead showed where JoJo stood creatively in 2025.

Ultimately, the Minneapolis show captured the central idea behind this stage of her career: JoJo could acknowledge the music that made her famous while still moving forward on her own terms.